Design for the Environment


​Having noticed the dog, you notice a butterfly. Having noticed the horses, you hear a woodpecker and then see it fly across a corner of the field.
                                                                                                                                                                        - John Berger, 1980
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K. Lair, DesignforChangeIV_0140, 2019
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K. Lair, DesignforChangeIII_0135 (black), 2019
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K. Lair, DesignforChangeIII_0210, 2019
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K. Lair, DesignforChangeII_0300, 2019
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K. Lair, DesignforChangeKL_0105, 2019
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K. Lair, DesignforChange_0310, 2019
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K. Lair, DesignforChange_0205, 2019
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K. Lair, DesignforChange_0210, 2019
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K. Lair, DesignforChange _0200, 2019
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K. Lair, DesignforChange 9433_0100, 2019
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K. Lair, DesignforChangeIII_0105, 2019
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K. Lair, DesignforChangeIV_0100, 2019


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K. Lair, StillMarsh 22616_010, 2016
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K. Lair, ProRI_KLxW15_165, 2015
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K. Lair, WhiteRiver_22516_010, 2016
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K. Lair, RiverRat_W16_0180, digital image, 2016
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K. Lair, ProRI_KLxW15II_0150, 2015
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K. Lair, RiverRat_W16_0130, digital image, 2016
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K. Lair. ProRI_KLxW15_0145, 2015


It is work and it can also be play, a way of communicating with other species and with the landscape. Any work, any kind of play, any experience naturally changes the participant, and what I want to consider here is how the experience of restoration might be expected to transform the restorationist.
                                                           William Jordan, Restoring the Restorationist,” Restoration & Management Notes 7, no. 2 (1989)


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K. Lair, SycamoreLT_W16_055, digital image, 2016
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K. Lair, StillMarsh 22616_035, 2016
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K. Lair, WhiteRiver_ 22516_030, 2016
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K. Lair, RiverRat_W16_0210, digital image, 2016
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K. Lair, RiverRat_W16_0140, digital image, 2016